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Checkmate - My script

This is a script which i pretend to turn into a short film soon, i've been writing it as an homage to both tarantino and rodriguez, it has a few references, vincent, modesty blaise, chango beer and Red apples cigarettes and anyway, im not going to post it all here but im going to post a tiny bit of the first scene so i can get some feedback.

This is my first script so go easy guys

INT. JOE’S OFFICE - DAY
After a few seconds of nothing but a black background the
recognizable sound of a knife and fork against a PLATE is
heard, CLOSE UP of that plate while JOE eats. He wears a few
rings and a watch, grabs both the fork and knife firmly
while he eats and takes is time to slowly savor what must be
one of his favorite dishes .THE VIEW shifts to a WIDE
perspective after a few seconds and we can see more of Joe
and his office.

The blinds are closed and so the room is dark, Joe sits at
his desk, wears a dark suit with no tie, a few buttons of
his shirt are open and reveal a cheesy gold necklace. We can
tell by his looks that Joe here is no goody two shoes, he
looks the type of guy who has been around and seen some
things, probably done some too, he’s looks send the message
that if you fuck with him he or someone will come and fuck
with you.

Suddenly a voice is heard coming from the outside of Joe’s
office, it’s VINCENT, one of Joe’s henchmen if we can call
him that.

VINCENT (O.S.)

Excuse me, Boss.


Joe ignores Vincent’s presence as he continues to eat
probably hoping that he will leave. Vincent however enters
the room anyway and approaches the desk, as soon as he steps
into view we see him from behind slightly to the left while
Joe is in the background, he has dark long hair and wears a
black suit.

VINCENT

Boss i really think--

JOE

Shut up! Sit down.

He immediately sits in front of the desk almost regretting
the decision to disturb his boss, it’s safe to say that
something is bothering him judging by the apparent inability
to sit still in the chair. The small amount of time that
takes for Joe to finish his meal seems to feel like ages for
Vincent, the seconds drag on as if hours had passed and when
the food is finally over Joe takes a sip of wine from a half
full glass next to his plate and slowly cleans his mouth
with a napkin before finally turning his attention to Vincent.

JOE

Now i seem to remember telling you
that i don’t like being interrupted
at lunch time, am i wrong?! Not by
my wife, not by a business partner
and surely not by the FUCKING help!

VINCENT

I know boss, and I’m sorry. I
wouldn’t interrupt you’re meal if
it wasn’t so important.

JOE

But yet you have waited for me to
finish my meal before you tell me.
That alone shows me that it’s not
SO important. It’s not like someone
died, is it ? And if nobody died
then i ask, what is so important
that you had to interrupt my meal?

VINCENT
It’s about MICHAEL, Boss.

JOE

What about him?

VINCENT

He’s really gonna testify against
you.

JOE

That little piece of shit, after
everything i (beat) ever since he
met that bitch--

Clearly angered with the news he slams his fist in the desk
right next to the plate and grabs his own forehead probably
trying to think of a way to deal with the problem.





two things, first english is not my first language so "grabs his own forehead" was the best expression i could come up too and Two, i know the dialogue is somewhat ambitious but i think ill find people who can pull it off.
 
Copy & Paste formatted using MS Notepad for tabs then C&Ped using the available "code" box in the "Go Advanced" option renders:

Code:
INT. JOE’S OFFICE - DAY
After a few seconds of nothing but a black background the
recognizable sound of a knife and fork against a PLATE is
heard, CLOSE UP of that plate while JOE eats. He wears a few
rings and a watch, grabs both the fork and knife firmly
while he eats and takes is time to slowly savor what must be
one of his favorite dishes .THE VIEW shifts to a WIDE
perspective after a few seconds and we can see more of Joe
and his office.

The blinds are closed and so the room is dark, Joe sits at
his desk, wears a dark suit with no tie, a few buttons of
his shirt are open and reveal a cheesy gold necklace. We can
tell by his looks that Joe here is no goody two shoes, he
looks the type of guy who has been around and seen some
things, probably done some too, he’s looks send the message
that if you fuck with him he or someone will come and fuck
with you.

Suddenly a voice is heard coming from the outside of Joe’s
office, it’s VINCENT, one of Joe’s henchmen if we can call
him that.

			`VINCENT (O.S.)
		Excuse me, Boss.


Joe ignores Vincent’s presence as he continues to eat
probably hoping that he will leave. Vincent however enters
the room anyway and approaches the desk, as soon as he steps
into view we see him from behind slightly to the left while
Joe is in the background, he has dark long hair and wears a
black suit.

			VINCENT
		Boss i really think--

			JOE
		Shut up! Sit down.

He immediately sits in front of the desk almost regretting
the decision to disturb his boss, it’s safe to say that
something is bothering him judging by the apparent inability
to sit still in the chair. The small amount of time that
takes for Joe to finish his meal seems to feel like ages for
Vincent, the seconds drag on as if hours had passed and when
the food is finally over Joe takes a sip of wine from a half
full glass next to his plate and slowly cleans his mouth
with a napkin before finally turning his attention to Vincent.

			JOE
		Now i seem to remember telling you
		that i don’t like being interrupted
		at lunch time, am i wrong?! Not by
		my wife, not by a business partner
		and surely not by the FUCKING help!

			VINCENT
		I know boss, and I’m sorry. I
		wouldn’t interrupt you’re meal if
		it wasn’t so important.

			JOE
		But yet you have waited for me to
		finish my meal before you tell me.
		That alone shows me that it’s not
		SO important. It’s not like someone
		died, is it ? And if nobody died
		then i ask, what is so important
		that you had to interrupt my meal?

			VINCENT
		It’s about MICHAEL, Boss.

			JOE
		What about him?

			VINCENT
		He’s really gonna testify against
		you.

			JOE
		That little piece of shit, after
		everything i (beat) ever since he
		met that bitch--

Clearly angered with the news he slams his fist in the desk
right next to the plate and grabs his own forehead probably
trying to think of a way to deal with the problem.

Do you guys not capitalize "I" in reference to self in Portugal?

Do you want me/us to rewrite this scene in something closer to proper spec screenplay industry standards?

Also, if this is for you to direct & produce you're free to pretty much do whatever you want format-wise, so...
 
Cut out all of the descriptions, make it shorter, and show don't tell.

Instead of:

He immediately sits in front of the desk almost regretting
the decision to disturb his boss, it’s safe to say that
something is bothering him judging by the apparent inability
to sit still in the chair. The small amount of time that
takes for Joe to finish his meal seems to feel like ages for
Vincent, the seconds drag on as if hours had passed and when
the food is finally over Joe takes a sip of wine from a half
full glass next to his plate and slowly cleans his mouth
with a napkin before finally turning his attention to Vincent.

This:

He sits down in front of the desk, nervously shifting in his chair. He uneasily watches Vincent finish his dinner.
 

Thanks man, do you think that it's that bad ? haha i mean i have no experience, english is not my first language and i was never a writing fan to tell you the truth, i use writing as means to get my point across, to put my ideas in paper and in motion, not because i actually love writing, if that makes any sense.

Thanks for that guide, im sure it will be very helpful indeed.

Cut out all of the descriptions, make it shorter, and show don't tell.

Instead of:



This:

He sits down in front of the desk, nervously shifting in his chair. He uneasily watches Vincent finish his dinner.

Well that was actually what i did in the previous draft but i wasn't happy with the result and have you read any tarantino script ? Try Django, i saw a video of him saying that when he writes a script he likes to tell a story in it and write things that will probably end up cut on the movie BUT he writes the script like a book so that when it ends he can be proud and actually feel that he could publish it as it is without turning it into a movie...and so i decided to aim for something similar.

Besides, since im directing it doesnt really matter what i show or write in the paper am i right ?
 
Last edited:
Thanks man, do you think that it's that bad ?
Formatting is.
Scene provided is fine.
I've no context, but it's an unremarkably fine half-minute scene.


haha i mean i have no experience,
I can tell, which is why I provided the format guide.
Nothing else, so don't fill in any blanks that aren't there. :)


english is not my first language
No biggie.
Just know that it's fantastically difficult to gap cultural barriers as well as language barriers.


and i was never a writing fan to tell you the truth,
That probably works in your favor! :lol:
Too many beginning screenwriters include ten-hundrendths of every detail they can think of thinking they're doing us a favor, when in fact one or two-hundredths would suffice.


i use writing as means to get my point across, to put my ideas in paper and in motion, not because i actually love writing, if that makes any sense.
Cool. Fine.

Thanks for that guide, im sure it will be very helpful indeed.
It can't hurt! :)

BUT he writes the script like a book so that when it ends he can be proud and actually feel that he could publish it as it is without turning it into a movie...and so i decided to aim for something similar.
Please, just quit trying to emulate Tarrantino.
He's fine, but every rookie screenwriter thinks they can just write in blabbity-blab "like Tarrantino" and that'll be great!
But it's not.
It's like found footage and shaky-cam: DONE TO EFFING DEATH!

Just find your own writing voice and go with that.
Seriously.

Emulating Tarrantino has become something to mock and ridicule, not something that garners ANY respect.


Besides, since im directing it doesnt really matter what i show or write in the paper am i right ?
Pretty much.

The issue becomes once you show your screenplay to anyone who knows what the industry standards are.
They then see that you obviously have no or insufficient knowledge and respect for the craft or industry and they politely pass you by seeking to work with someone who knows WTH they're doing.
Unless you assemble a complete team of nubes and your checks don't bounce or cash is legit.




Minor personal prefferences and quibbles aside, formatted and edited to near industry standards:
Code:
BLACK SCREEN
A knife and fork against a PLATE is heard.

FADE IN:

INT. JOE’S OFFICE - DAY
JOE, 40s, rough greasebag in an unbuttoned suit, no tie, 
and lots of gaudy gold jewelery, clutches both fork and 
knife while he chews to savor the meal before him.

The closed office blinds darken the room where Joe sits at
his desk. 

			VINCENT (O.S.)
		Excuse me, Boss.

Joe ignores VINCENT’s presence as he continues to eat. Vincent,
30s, long dark haired black suit protege of Joe, enters the room 
unwanted and approaches the desk.

			VINCENT
		Boss I really think--

			JOE
		Shut up! Sit down.

Vincent sits in front of the desk sorry that he disturbed his 
boss. He fidgets while Joe finishes his meal. 

Joe takes a sip of wine, wipes his mouth.

			JOE
		Now, I seem to remember telling you
		that I don’t like being interrupted
		at lunch time, am I wrong?! Not by
		my wife, not by a business partner
		and surely not by the FUCKING help!

			VINCENT
		I know boss, and I’m sorry. I
		wouldn’t interrupt your meal if
		it wasn’t so important.

			JOE
		But yet you have waited for me to
		finish my meal before you tell me.
		That alone shows me that it’s not
		SO important. It’s not like someone
		died, is it ? And if nobody died
		then I ask, what is so important
		that you had to interrupt my meal?

			VINCENT
		It’s about Michael, Boss.

			JOE
		What about him?

			VINCENT
		He’s really gonna testify against
		you.

			JOE
		That little piece of shit, after
		everything I... Ever since he
		met that bitch--

Joe slams his fist in the desk then grabs his forehead in
obvious distress.
 
Last edited:
That's actually amazing, loved you're formatting.

btw, when i spoke about tarantino's scripts , it wasn't as saying that i wanna emulate him. A lot of scripts i've read like the Godfather describe the scenes and characters with a lot of details. The writers in those scripts choose to write something without following the industry standards.

But i know what you're saying and i guess that learning and getting to know how to write by the industry standards is very helpful and i truly enjoyed what you did, seriously i loved it! I can only hope to one day be able to achieve that level of writing myself BUT i also think that as long as i'm writing for myself to direct that i don't actually need to follow the industry standards.

But i'll try, i seem to find very difficult to get my point across in just a few words like you did, though.

btw should i cut all the cues like "over the shoulder view" and stuff like that ?
 
Last edited:
But i'll try, i seem to find very difficult to get my point across in just a few words like you did, though.
It comes with ruthless practice and endless beatings by knowledgeable peers.
Beating____by_thedragonlady.gif


btw should i cut all the cues like "over the shoulder view" and stuff like that ?
For your director's scripts - nah.
Keep 'em.
Or cut 'em and scribble them in on your director's copy (which is what I'd do so as to provide as little confusing materials as possible to cast and crew on their copies.)
 
Last edited:
btw, when i spoke about tarantino's scripts , it wasn't as saying that i wanna emulate him. A lot of scripts i've read like the Godfather describe the scenes and characters with a lot of details. The writers in those scripts choose to write something without following the industry standards.

Sure, but the screenplay was written somewhat by the director, and it was written by two names. It's much harder to get away with things like that when you are not a name director/writer.

But i know what you're saying and i guess that learning and getting to know how to write by the industry standards is very helpful and i truly enjoyed what you did, seriously i loved it! I can only hope to one day be able to achieve that level of writing myself BUT i also think that as long as i'm writing for myself to direct that i don't actually need to follow the industry standards.

btw should i cut all the cues like "over the shoulder view" and stuff like that ?

If someone else is making it. If you are directing, no problem :cool:
 
It comes with ruthless practice and endless beatings by knowledgeable peers.
Beating____by_thedragonlady.gif



For your director's scripts - nah.
Keep 'em.
Or cut 'em and scribble them in on your director's copy (which is what I'd do so as to provide as little confusing materials as possible to cast and crew on their copies.)


Thanks, seriously...im in love with the changes you've made. Guess i've got a lot of work on my hands starting tomorrow, im gonna rewrite the all thing (again).

Im seriously aiming to start filming some scenes in December, but more as practice thingy . Im gonna grab a few friends, or just another friend and we'll both play all the parts, just so that i can visualize what works and what doesn't work for each scene. Then hopefully early next year i'll start shooting the damn thing with the *real* actors.


I also thank you ChimpPhobia you guys are being very helpful. I won't forget the names of the good people on indietalk.com when the time comes to write the "Thank you list".
 
This is a script which i pretend to turn into a short film soon

You mean intend, right??? :D

Like ray said, the scene itself is fine. Good job.

he writes the script like a book so that when it ends he can be proud and actually feel that he could publish it as it is without turning it into a movie

Why not just write a book then? In my mind, a screenplay should be the blueprint for the film. We should (for the most part) only be seeing what is happening on screen.

It's fine just writing for yourself (ie. in the knowledge that you'll be directing) but as was mentioned you will inevitably have to get other people on board; actors & crew. The more succinct and to-the-point the screenplay is the better for all.

Practice makes perfect. Best of luck.
 
You mean intend, right??? :D

Like ray said, the scene itself is fine. Good job.

Pretend, intend...only mere mortal worry about such petty things. jk aside, like i said english is not my first language so give me a break. ;)


It's fine just writing for yourself (ie. in the knowledge that you'll be directing) but as was mentioned you will inevitably have to get other people on board; actors & crew. The more succinct and to-the-point the screenplay is the better for all.

Practice makes perfect. Best of luck.

I'll drink to that, you guys convinced me. Industry standards it is.
 
The only thing I can add is that I noticed that Vincent is terrified of disturbing Joe based on your earlier script. So it better be something really damned important to disturb the guy, right? ...Vincent isn't going to lose his balls to Joe over mindless comments about the weather, is he?

So when Vincent tells Joe, "It's about Michael." ...Joe has no emotional or physical reaction? All he says is "What about him?".

This is the point of focus. This is the point where Vincent is justified in interrupting Joe's lunch. ...Add in some intensity!

I added an action line in blue text as an example.



==========================================

JOE

Now i seem to remember telling you
that i don’t like being interrupted
at lunch time, am i wrong?! Not by
my wife, not by a business partner
and surely not by the FUCKING help!

VINCENT

I know boss, and I’m sorry. I
wouldn’t interrupt you’re meal if
it wasn’t so important.

JOE

But yet you have waited for me to
finish my meal before you tell me.
That alone shows me that it’s not
SO important. It’s not like someone
died, is it ? And if nobody died
then i ask, what is so important
that you had to interrupt my meal?

VINCENT
It’s about MICHAEL, Boss.

Joe freezes into a motionless statue. His cold eyes lock with Vincent's.

JOE

What about him?

VINCENT

He’s really gonna testify against
you.

JOE

That little piece of shit, after
everything i (beat) ever since he
met that bitch--

==========================================

-Birdman
 
The only thing I can add is that I noticed that Vincent is terrified of disturbing Joe based on your earlier script. So it better be something really damned important to disturb the guy, right? ...Vincent isn't going to lose his balls to Joe over mindless comments about the weather, is he?

So when Vincent tells Joe, "It's about Michael." ...Joe has no emotional or physical reaction? All he says is "What about him?".

This is the point of focus. This is the point where Vincent is justified in interrupting Joe's lunch. ...Add in some intensity!

I added an action line in blue text as an example.



Joe freezes into a motionless statue. His cold eyes lock with Vincent's.

==========================================

-Birdman


You're right, nice catch Birdman. Thanks
 
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