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So you would consider someone who pulls on a mask, robs a gas station and takes the purses of little old ladies to be the same "stealing" that a 16 year old kid does when he wants to see an indie movie that isn't available to buy anywhere? There is the grand assumption that people seem to...

I'll also add the FCP is better at delivering OMF files. (OMF being the vastly preferred export format of production audio out of NLEs). CS4 can do it now (CS3 and earlier couldn't) but it still doesn't work 100% of the time. So if you want to work with a sound editors / designers / mixers...

Just to add (and hopefully not further confuse), but audio on a computer is digital (obviously). The loudest anything can be is 0 dBFS and everything below that is -1 down to -oo. Music albums are mixed and compressed so that drums, vocals, guitars, ect... are all bumped up to hover between -4...

TL Space is good, but Altiverb is vastly superior imho. If that had been me, I would've been equal parts confused by hearing someone yelling for help, and also wondering why Tom Hanks was outside my home.

Personally, I think the HD-P2 isn't worth it unless you're using it for the timecode feature (which DSLRs don't have). I would rather go with a Marantz PMD661 with balanced line-level inputs. My $3k list... Location sound package 4 here (NTG-3 shotgun, full blimp, boom pole, cable @ $1000)...

I've heard good things about the Microtrack II, but I've never heard anything about that mic before. Audio-Technica makes good stuff though, so it's likely to be at least decent for the budget. You'll also want a boom pole to get the mic in close (VERY important, the mic should always be within...

A recorder doesn't record "up to 96k" but it "samples" the audio 96,000 times a second. What that basically means is that it can record up to 48 kHz. Human beings can hear from ~20Hz - 20kHz. So most people record at 48k (set on the recorder), which translates into recording everything below...