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The best way to do it is to use specific examples of existing music. I have found that the more detailed a verbal description I get and the closer I try to follow it the worse reaction I end up with. The most success I have had is when I ignored all of the specifics of the direction - took the...

At last a comment! I liked the regional accents (spent 10 years in Manchester). I thought the framing and camera work was a little claustrophobic (no distance shots to set the scene in the pub, or even a shot of the pub from outside to give it some context) The background noise was too muted...

The Shure SM58 (or SM57) (with a popshield of your own making) is one of the best all round microphones for your budget. Used 'em for years. Good discussion of the differences between the SM57 and SM58 here...

Hey - I'm a Canadian/British video game and film score composers/producer, also do SFX. 25 years in and around the music industry. Specialize in Full symphonic orchestral and oddball ambient type stuff. Always on the lookout for good projects to get involved in, money not important as I have...

Sorry about my late reply, You can achieve great results with limited money. However you have to know what you are doing in terms of both orchestral arranging and using the sounds you have to the best of your ability and the full potential of the sound set. Position in the mix of each...

Late, but never mind. Damnit - late into the fray......and some good people have responded so far. Anyway, here are some samples - I have done video games, short movies and a whole lot of other stuff Symphonic Orchestral samples https://soundcloud.com/rpa-sounds/move-theme-15...