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I sent you a message. Cheers, ~Russell

A lot of film-makers dont ear-mark money for proper boom/mic, and it ends up costing more in the backend with post/ADR. Choose your recording talent carefully. Also, and I admit full bias here - remember that composers also like to get paid. I know I do!

amazing. great job. can't believe you did that on a shoestring.

finish the 1st, withhold it until you get paid, decline the 2nd job. but i'd get legal help as well. anyone that is this much of a pain in the butt to work with will double their efforts to make your life miserable as soon as you get away from them :D

I may be able to help if we're a good fit. Feel free to contact me. www.russellsoares.com ~Russ spoonie1972@gmail.com

would have to have a stereo pair :D

there was a good use of sound etc in a recent episode of The Walking Dead. No music at all for a very extended scene. I think it's more than possible. From this composers point of view, I think a lot of stuff is over-saturated.

similar in concept, but not the same, an old science fiction short story. http://en.wikipedia.org/wiki/The_Quest_for_Saint_Aquin

i have zero experience with that software - but - can you split the export into smaller chunks? or - save the file into shorter sections, so that when you export shorter sections, they all line up in your destination software? pain in the ass, i know.

he's saying that your mic isn't as sensitive as more expensive mics. think of having an attenuation control as how sensitive you want your mic to be. no attenuation - it's as sensitive as it can go, you're getting lots of signal. probably dialogue. -6db to -18db.. as above, if you're...

If you think there's a lawsuit coming, why not take care of it before anything can happen at all? Talk to him. Be diplomatic. You wanted to work with him for a reason, maybe there's a project in the future you can both work on. No point burning a bridge.

not sure if you've found someone yet, i have samples on my site. if you're interested send me an email. www.russellsoares.com (horror cue on there is probably the most apt).

if we're a good fit, i may be able to help. russell.soares@gmail.com samples at: www.russellsoares.com Cheers.

I find that stemming goes hand-in-hand with payscale. Myself, and people I know that provide stems (which is everyone I know) demand a higher rate that most producers/companies do not want to pay. Stemming takes way more time, or requires a 2nd system slave-locked to keep things moving smoothly...

I can't seem to find any reviews comparing one to the other - has anyone here used both? I'm leaning towards the NTG-2 because, well, i'm quickly spending too much too quickly. Also, if anyone has compared these to a hyper-cardiod dynamic or condenser (like cheapie SM57 or Apex 180) - would love...

Gibbo - thanks so much! Great info. I'm picking up a 28-135mm USM IS this week, for both shooting stills and having a bit of zoom. It's not a fast lens by any stretch but it does open up some options.

Warrior 8/10 Really liked it. Pace was superb.

The Proposition 9/10. Brutal vicious film. Beautifully shot, very nice subdued music. Great gore fx/makeup.

i just picked up a t3i (600D) - and while i'm no pro, for the money it is a hell of a lot of camera. having fun so far but i'm not shooting anything planned (or even decent) yet :) just be sure to get a class10 (or better?) memory card for video.

So I picked up the T3i last night - what a smokin' deal.. i paid more for my s40 back in the day. Any tips on lenses, filters? since I'll be using a tripod for most shots, I assume used non-IS lenses are a good way to go?