Search results

True enough. Can you refuse netflix the rights to distribute your movie if thats a concern?

There is probably better stuff out there, but I learned when I was a kid that the graphite from an ordinary #2 pencil can make a pretty convincing bruise look. Add some green or blue to that and you have yourself a nice bruise

yeah, you do get the whole suite, or you can buy them individually. The better deal is of course, the suite. Form is particles, but its a little different than particular. you can create an organic object by specifying how many particles there are, so on, whatever, and you can also audio sync...

Well its all in the application. But like I said, I am no expert. Maybe it would be easier to cast older people and make them look younger? lol

sooooo, then, nothing is better than something?

I would check out some of the old horror movie SFX guys like Tom Sorvino. A lot of them used very simple stuff like corn starch or flour to achieve some pretty cool skin textures for zombie films. Personally I dont know much about it, but hopefully that gets you on the right track.

I think one thing that is sometimes overlooked is the visual communication in the shots. Using the correct angles to give the scene the proper emotional response from the audience. Its so subtle that the audience generally never even notices it but has a huge effect on everything. Same can be...

This looks pretty cool. I like what I see

yeah, breaking bad is awesome. I cant wait for season 4 to finish so I can watch it all at once

Well thats pretty cool. Better than nothing.

So I tried out the trial version of TrapCode form, and its awesome. I first heard about it from CorridorDigital's "Dubstep guns" video so I thought I would check it out and see what it was all about. It's a plugin for a variety of editing programs, I used the aftereffects version. Basically...

well I was suggesting that it would be after large amounts of success that would lead me to have to justify the purchase of more expensive equipment.

yeah, I agree. I think the t2i, or 3, will probably be more than I need for now. but its still nice to dream. lol It would be awesome if I got to the point where I'm having the same thought process, but trying to justify a $100000 camera. Never know what the future holds. as far as...

yeah I know. because even the ones were you say "who the hell would watch this pile of flaming monkey feces?", SOMEONE did for some unknown reason.

Sometimes I see independent, low budget films on netflix and I always wonder if they somehow get paid for the views, or maybe sign a flat rate deal or something. There has to be something netflix offers to these people to be able to stream their movies, right?

well if women stayed in the kitchen where they belong, they wouldn't be offended by movies.

I've looked into the 60d but not the t3i. and yeah, I doubt I will have a need for full frame. I'm very much in the infancy of all of this, and by the time I'm thinking about stuff like that, I will probably need a new camera anyway.

yeah, actually I was reading about the GH2 last night. Saw some footage and it seemed to shoot as well as the t2i, but on youtube you cant really tell the difference anyway.

Its tough. I would love to have the 5d because I think its a better investment, but I need to put away a whole boatload of cash just to be able to afford it. It might be months, or a year before I could get one, and thats assuming real life doesn't knock down my door and steal all of my hard...

Because the high noon dual was only done in hollywood. Most outlaw cowboys died the same way Wild Bill did; shot in the back. The only time the quick draw is practical is if you're a police officer, or in some other situation where putting a gun in someones face isn't the right thing to do...