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When do you give out call sheets?

ok...... well instead of me describing what i want can someone tell me where i can read about lenses and how they work???

well as i said earlier i was thinking 6 words, 8 syllables. 'Don't be a menace in South Central when Drinking Your Juice in the Hood' is 14 words, 17 syllables so i guess my one aint that bad.

no the title didnt hurt Dr. Strangelove because people would just call it Dr. Stranglove and not te whole title... What if my title cant be shortened?!

What lens is there that has everything i focus (like a wide angle lens) but isn't toooo wide angle? So pretty much a lens with everything in focus and that i don't have to be like 2 feet away from the actor to film a normal shot of him.

How come it is that you can focus on two different people of objects which are each different distance from the camera...? And how do you keep the focus on a person that is constantly moving distance from the camera?

...i think this thread goes here... Do you think that 6 words (which in my case is 8 syllables) too long to be a title? thats it...

:huh: i know its the miniature dots or lines that make up the picture... i mean how does this effect your video? I know that: the more pixels the bigger the screen the video can be watched on, right? But how come my cell phone camera is 2 megapixels but the image is terrible on my computer...

The idea your trying to copyright sounds very familiar... lol...

no no no no no... i know how to write, i have read many screenplays and i have read the checklist... Lets say I'M writing something and no-one knows...then i'm done, i pitch it and then the director chooses the shots... doesnt the shooting script do what a director or storyboards should do?

When i'm shooting a scene, do i just film one shot, cut, film another shot, cut, ETC???? Dont the actors get bored? Especially if the actors are amateur don't they think that you don't know about directing???

I wanna buy a camera that is great quality image, at a good price (no more than $4000), and that the video captured can be watched on a cinema screen (therefore a big depth of field)(i think thats what you call it)... (obviously if i tryto view video captured from my average camera on a cinema...

Let's say you have written a script and you want to pitch it to a studio... should it be spec or shooting script? And also... why do they both exist? Whats the point? In what type should I write?

I'm just looking at the Canon XH A1 on amazon and in the technical details it says that it captures: true 1080 resolution... then it says: Three 1/3-inch 16:9 CCDs (1.67 megapixels)... 1080 resolution?.... but 1.67 megapixels... whats resolution and whats pixels...(actually i know what pixels...

A couple of questions... Are he crew and extras just expected to show up every day? How do you keep track who comes and who doesn't? How does the extras and crew know where to go? Yeh, that's it... hope you can help...

I dont mind individual artists... as long as they do a good job. I'm not really sure what i'm specifically looking for so anything will do...

Does anyone know a company that does CG for a reletively low price?

When the Scarlet comes out in 2009, will you be renting that out too? (for cheaper than RED ONE)?

Is the reason that some budget movies' image isn't sharp because not so much light is poured onto the set or because some b-movies are filmed on digital with not so many pixels or other reasons? Hope you get my question EDIT: OOPS, wrong category