zahidsagiroglu

I know from experience that different NLE's require different spec machines. So I think if it does work you will be highly regarded in the post-production arena.
Cheers
M

Hi Zahid,
A great concept and I have subscribed to the waiting list. What interests me is if the idea can handle different bit and frame rates in different editors. I use professional cameras up to 3 on a shoot all working with 50mb per second 8 bit colour depth with 4:2:2 color sampling with Davinci Resolve 15.3 - so it would be interesting to gauge the stress level that your concept can deal with.
Cheers
M