I see you're in India... I'm in the United States so my comments are based on how the industry sees scripts here in the states.
1) Your Master Scene Location Heading -- EXT. COUNTRYSIDE -MORNING In the states, we'd do it like this: EXT. COUNTRYSIDE - MORNING
Also... Unless you have a really good reason for saying it's morning? It's best to just call it DAY or like this: EXT. COUNTRYSIDE - DAY
Reason being is this is the very BEGINNING of your script. I'm assuming it's a spec script... I think a professional reader would give seeing the word, MORNING a mild red flag RIGHT OUT OF THE GATE since it's at the very beginning of your script and very likely be even more harsh on the script as they continue reading.
Also... Using "We see" is okay but it's weak. You don't need to use it. Make your visual STRONGER by simply describing what WE SEE without telling us WE SEE.
Also... If you intend to eventually shop this in the U.S.? I'd stay away from using words like "meters." If you're keeping it in your country? No problem.
I'm also not understanding why you're using COUNTRYSIDE as your Master Scene Location. Based on what you've written here? Seems like it should be the house:
EXT. BROWN-GRAY TWO-STORY HOUSE - DAY
I wrote THAT based on YOUR description. To me? That's a little bland. If it were me? I'd figure out what kind of HOUSE design it actually is and use that as part of your heading. Also notice the spelling. In America, we usually use the word GRAY to spell the color. Likewise, we spell colour without the "u." Again, if you're keeping this script outside the U.S.? None of that is going to matter but these are some things to keep in mind should you decide to market it here.
I also think you might have overwritten a bit... Everything you have in the beginning could just as easily be written like this:
EXT. RUSTIC TWO-STORY HOUSE - DAY
A picture-perfect residence with a manicured lawn and requisite garden.
You could of course, substitute RUSTIC for whatever design you want the house to be. I just threw that in.
Do you really NEED to know about the stores and interstate behind the house? Does that additional description/information SERVE to tell us something? If so? You could add some additional description underneath all that to let us know this place happens to be standing next to an interstate.
In my opinion, it would be difficult to include the house, the interstate, and commercial properties like stores all in ONE shot the way you've depicted it here. If those descriptions ARE actually necessary to the story for some reason? Then just show us all that in the scene but with separate description.
You do NOT need: INT. HOUSE LOBBY - SAME TIME -- just say:
INT. RUSTIC TWO-STORY HOUSE
A neat and clean foyer.
Glass SHATTERS.
MAN'S VOICE (O.S.)
Shit! I'm gonna die!
*NOTE: Again, in the U.S. we don't call it a lobby. We call it a foyer.
But again, be a bit more descriptive with the house by using its design so we get a complete visual in our mind's eye.
Instead of: A loud noise of glass shattering.
Just keep it simple and do not overwrite: Glass SHATTERS.
That's all you need.
Now that you're inside the house? Try using secondary scene location headings instead of yet another master scene location heading.
Notice I used O.S. instead of V.O. V.O. stands for VOICEOVER. This is someone who's NARRATING either what's happening in the scene or telling us something we need to know about this story. From the way you've written it? It seems like we're inside the foyer of the house and hear glass shatter and then a man say, "Shit, I'm gonna die!"
Now we're in the washroom of the house and you're using WE SEE again. I can only speak for here in the states but if you keep using WE SEE? It's going to knock a reader out of the story. You don't need to say that... In a screenplay? It's IMPLIED that what you write in description is what we're supposed to see so there's no need to keep saying it.
Also... You're using CONTINUOUS in your heading. Probably because your screenwriting software is set to do that by default as is your use of scene numbers. You don't need either in a spec script.
Again... Overwriting. Keep it simple. More like:
A LADY runs into the WASHROOM where a MAN (40s) stands wearing shaving
cream with broken glass all around him.
LADY
What have you done now?
Now I'll get into your dialogue... Both the Man's and Lady's dialogue is ON-THE-NOSE. Is that how they talk where you're from? Here in the states, they probably wouldn't say exactly what's on their minds.
Why have the Man say ANYTHING at all? Why not just let us HEAR the glass shatter and WONDER what happened? Why not let the lady run into the washroom and say something like, "Now what?" or "Oh my God, what've you done now?" That way we're already WONDERING what's going on with this guy. It'll help us want to see more to find out what's going on with him.
Not going to get into the additional pages because you're basically doing the same thing over again there... Like
@mlesemann said... Consider introducing your characters when we are actually seeing them in the script. Give us some good description of them along with just a hint of their personality. I don't see why they need to be introduced so late.