I'm in need of the margin dimensions of EVERYTHING in a TV and Film script, not just the Elements. And I need the real answers, not 'about' 3.5", if it's 3.68". I need to know the 3.68" answers. From off the top of my head I need all the Elements, everything on the title page, the numbering and titles on each page, everything really.
I tried Google but I got conflicting answers. I want the real deal answers, and again. I need everything for both TV and Film, not just film. So if anyone knows where I can get this information please show me!!
I'd prefer a table, but as long as I find the REAL answers I'm happy. I'm hoping to find the left and right margin of everything I guess, the official margins.
EDIT: I was able to find this, but I'm not sure if all 4 of these are 100% accurate:
http://www.scriptwritingsecrets.com/Margins-Spacing.htm
So if anyone knows if all 4 are, let me know. Also what about the page numbering and page titling for TV, etc.
Thanks!!
"Industry Standard" is not standardized. If you go to most pro screenwriting software, you'll find it has separate styles. Most major studios have their own internal practices. Below is the basic industry standard format for film and television spec scripts.
Scripts are three hole punched and held together with two 1 ¼” - 1 ½” brads. So for the bound script to look balanced, the left hand margin is 1 ½” wide and the right hand margin is 1”. All text should be in Courier 12 pt. font. Be sure to number your pages—upper right or bottom center--starting on the second page of the script.
There are now four tabs which are typically standard:
2 ¾ “ (or 1 ¼” from margin) for Dialogue
3 ½” (or 2” from margin) for Parenthetical Comments
4 ¼” (or 2 ¾” from margin) for Character Name
6.5” (or 5” from margin) for Limit of Dialogue Line
Shots are tight to left margin in all caps.
Transitions are right justified to the 1" right margin in all caps.
Title page format varies. Typically:
Title (all caps) down 3" from the top and centered
Author(s) down 5" from the top and centered
Additional Credit(s) down 6" from the top and centered
Contact information down 8" from the top (along left margin or 6" from left margin)
There are multiple examples on the Internet. This industry approach has evolved so scripts which follow these basic rules time out approximately to one page is one screen minute. Also, production managers can use the information to go through a script and begin breaking it down for shooting requirements to create shooting boards using eighths of a page.
The television industry has moved to the film script format which is different from the TV-2 type mentioned in your link and is now single spaced. However, sitcom comedies will still sometimes use double spacing. I've not seen Scene/Act labels in recent television scripts. You can check this out at Creative Screenwriting Magazine (
www.creativescreenwriting.com).
This makes no sense since I asked for it. Margin dimensions for everything.
As for the software, course I do. My friend isn't a nub, hes made many many things in the past and working towards an OS. I'm the details and GUI designer which isn't too hard, annoying, yeah, but doable.
Just because you can't do it, doesn't mean others can't.
Honestly, you're worrying too much. The human eye that reads the script is not going to discern or care about .02" differences. Even the play formats vary. Then you have to include audiovisual two column formats. Add to that, formatting issues change over time. Previously, only underline was acceptable. Now with computers, bold and italics have slowly become more prevalent in scripts. Nor do all elements appear in all scripts--dual column formatting, scene numbering, MORE/CONTINUED, etc.
More power to you for wanting to write your own formatting program. As a reader, the appearance plays only a minor part in the consideration of a script. Unless the writer is blatant in not staying within the margins defined above, the structure, story development and execution carry more weight. I have more important things to do than sit there with a ruler.
I understand exact dimensions are important to you as a designer. For me as a writer and reviewer, not so much. Increasingly, there is movement towards uniformity across film and television which will benefit you. If you are writing the software for profit, you have lots of research ahead of you. Good luck.