That was great. So can you describe your relationship with your composer? Did he compose the music after you were done? how exactly did that work?
Phil Rey (the composer) contacted me during the production ( ~1.5 years ) before the release. Communication has always been over the internet, in fact I never saw him in person or even talked to him
But that didn't pose any real problems.
Actually Phil composed the music after the visuals were finished. Thee is one exception, which is Ara's song, which was done a bit earlier on my request, to be able to record the song with a local singer (Julai Schaller) and do the lipsyncing part.
I wrote a very detailed shot by shot breakdown, where I explained the idea behind the shot, the mood and emotional state of Ara. I also described how I saw the balance of sfx and music for each shot as well as the overall sound density.
This worked as a working base for the further development. At first we went through 3-4 different general musical approaches until we settled on the one you can hear now in the movie. Phil composed parts of 1-2 minutes which got discussed and refined.
The discussion took place via a private forum, as it involved also the sound engineer, as well as on
soundcloud , where it is quite easy to discuss in the context of the music itself.
All in all it took about 1 month to complete the score.
If you have any more specific questions please ask right away
... why?? why cage those dragons?? let them roam free!! Let Ara guard them outside a cage...

I'm just kidding
Would be nicer, wouldn't it

. But then all the symbolism would be lost

And btw, the dragons are free, in their own dimension, which is indicated with the start and end sequence, with the cage being ony the guarded portal to this world.