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This is my rig for Saturday, but the good news is I'll be jamming a Sony FS100 in this baby come January. I'm getting pretty stoked. The next purchase after that will probable be a RED 17-50 PL mount. Anybody that can attest for that lens?
The next purchase after that will probable be a RED 17-50 PL mount. Anybody that can attest for that lens?
oh my... and you call yourself an independent filmmaker do you???
very nice indeed. congrats.
My only hands on PL mount experience was with a Zeiss CP.2 50mm on a GH2. I was shooting second camera to a AF-100. While I can understand your desire to make the jump to a true cinema lens I probably wouldn't go that direction. I'd rather get a set of Zeiss ZF primes with the Duclos mod. Of course, that's just my personal opinion.
I've never used it, but IIRC it's a pretty heavy lens. You might want to make sure the mount can support it.
I'm good to 17 lbs. After that, I'm getting into a new tripod.
I meant the camera's lens mount. I guess you could support the lens on rails, though.
NOTE; Don't EVER tell a cheerleader what size her f-stop is.- it's easy, the matte box swings out of the way and you have full access like a cheerleader on prom night.
https://www.youtube.com/watch?v=DjZ_Mmjs3bc
The RR gear is the best. I like it more than Zacuto's rails for sure.
Their FF is the best on the market.
Looks expensive... Exactly what you want to bring to a freelance shoot.
Yeah, I'd probably go with a rail mount thingy (sorry to get technical). To answer Chili's question - it's easy, the matte box swings out of the way and you have full access like a cheerleader on prom night.
https://www.youtube.com/watch?v=DjZ_Mmjs3bc
That whole series is fantastic, throughly recommend it.
Series? There's a series? I've only seen 'The Trip.'
Want want want want. What's the series called?
Series? There's a series? I've only seen 'The Trip.'
Want want want want. What's the series called?