Pretty cool, gotta take a closer look at that later.
I do have a nostalgic attachment to the s16 frame. Can't tell what lens mount that is from the blog post, and not a fan of touch-screen control on cameras.
Looks sweet though. It seems the middle ground is becoming a lot more populated, and a lot higher quality.
Edit:
HDMI, 3G-SDI, and Thunderbolt out. Finally these guys are listening. EF mount would not have been my choice, but I understand why they did it. Same reason Canon put one on their c300 - there's a ga-jillion-billion EF lenses already working out in the world. Make your camera compatible with mount that has the biggest distribution (I have no idea if EF is officially the most widely used, but it's got to be up there in at least the top 5 lens mounts among this camera's target market).
Purchase price includes Resolve and Ultra-Scope software. Correct me if I am wrong, but that means that software accounts for 30% or so of the cost. Of course if you already own resolve ....
Still rolling through the clips. Nice motion rendering in the traffic during the Dusk shots. Would love to see something other than Vimeo. Man, something about the s16 frame - I just have this irrational attachment to that look!
Double Edit:
Needs moar frame rates.