Video assist can anyone define?

Hi there. I've just been offered a role as a video assist in a local production. I've done some research on the role and have grasped what it entails but I was hoping that as many of you guys on here as possible could break it down for me.

I have not been told what system they are using as of yet so any tech descriptions would be appreciated.

thanks.
 
It's usually not that complicated. You'll be stationed in the "video village" which is where a television and some sort of recording device are set up, either a VCR or DVD burner. You're job is to press RECORD on the VCR or DVD burner when there is a take and keep a log. If the director or producer or d.p. want to see a specific take you go queue it up and play it for them. That's really all there is to it.
 
There are also computer hard drive-based systems in use now. Just saw one on the set of "The Road". Some computer knowledge and skill is required to operate.

An anecdote from the archives:

Back in 1987, when video assist was in its infancy, I was working as the assist op on a shoot. The camera was running film, but had what was called a "video tap" which allowed a low-res, black & white image to be output to a VHS recorder. Since this was before wireless video feeds were commonplace, a long cable had to be strung from the camera to the deck. Due to its tendency to trip people up, cause undue havoc during dolly moves, and just generally be a pain-in-the-ass, the grips referred to it as the FVC, or F***ing Video Cable.

We were shooting on a sound stage where a set had been constructed using real grass turf. Because of the hot lights, the turf had to be watered regularly to keep it green. Because the building hadn't been originally constructed as a sound stage, the concrete floor was reinforced with rebar. Unbeknownst to anyone, the building had a 20-amp ground leak in its electrical system. Everything was fine until the cameraman picked up the tripod and set it down on the wet turf.

The water had seeped down through the cracks in the concrete floor and made contact with the rebar, sending 20-amps up through the metal tripod into the metal camera, sending the cameraman flying (he was okay). The electrical spike then travelled through the FVC and into the video jack of my $800 VCR, which literally exploded, shooting out sparks and smoke. Of course, my insurance covered everything EXCEPT electrical damage.

That was the day I learned I'd been cursed by the gods.
 
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Peripheral/unrelated question:
Because the building hadn't been originally constructed as a sound stage, the concrete floor was reinforced with rebar.
Are you saying that sound stages don't use steel in the concrete floor? That seems very odd, since concrete has very little strength without steel reinforcement.
 
Yeah video Assist is awesome. I recently got a job on a film and my role was to plug the cable into the Video Tap and into the VCR to the directors and actors could watch a playback after the take
 
Video Assist

Video assist is the compatible device which can record,edit,preview taken shoots in real-time. Of course, that device needs someone to operate. That guy suppose to be ready to push record and stop button. I haven't known anything about video assist before 6 months ago, till I've been working company which is manufacturing video assist device. But now I think I can be a video assist guru :lol:


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ekin_yildirim@hotmail.com
http://www.mediatechnologies.tv
LYNX Video Assist
 
you should ask what your role will be...

Video Assist and Video Playback are two different jobs...

Video Assist... is usually only hooking up a remote monitor to the camera...either it be by cable or wireless...low budgit(BNC Cable) is the norm...this is so the Director and whoever else wants to look on..scripty of course...can see what is being filmed

Video Playback...is all of the above...Plus you will be going to a recoder before the monitor and a switcher...so you can also Playback the shot that was just shot on camera for the director to see again...and the use of a switcher lets you switch from live feed (camera) to recorder playback feed...you will also need to keep a log of takes so if the director or script supervisor need to see a shot that was recorded earlier...you can pull it up for them to see...usually this is done to check continuity or matching shot size...switching again from Live to PLayback to check...things like that....this is a more intense job and you will be there all day...as they are always asking to see something back...not much rest for you :)

hope this helps a little
 
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