I'm getting together with the composer for a spotting session next weekend for my new feature. I've never done one before; in the past I've either let composers do what they felt was best, used existing music or composed the music myself.
If there are any composers here who are experienced with spotting sessions, can you tell me what you look for from a director? Do you prefer specifics or more generalized notes, or a combination? Anything I should avoid? I want to respect the creative energy offered by a fellow artist, but don't want to seem too vague, either.
Any directors who've gone through this process, I'd welcome your notes as well.
Thanks!
If there are any composers here who are experienced with spotting sessions, can you tell me what you look for from a director? Do you prefer specifics or more generalized notes, or a combination? Anything I should avoid? I want to respect the creative energy offered by a fellow artist, but don't want to seem too vague, either.
Any directors who've gone through this process, I'd welcome your notes as well.
Thanks!