I've been having a ton of trouble getting enough plot or scenes to make a feature, for my "Raise the britannic" movie, and for some reason I keep imagining "star trek" not only because star trek's style can lend itself to any budget. (the original series was practically made with tape and tin foil) and partially Battlestar galactica, because it has a strong female character, which is what I have. That and both shows always had an interesting story arc. and cliffhanger. and plenty of action.
I have a soft spot for TNG not so much deep space nine. (My aunt used to watch mostly TNG when i was a kid) I liked Patrick Stewart's portrayal of Jean luc picard. My Main character is supposed to be, Starbuck by the way of Picard.
What if I reversed star trek, and BSG, and elements of the thing (without the creatures) and set it on a US
Navy salvage fleet, and an Polar research station? That way not only would that limit the number of sets & locations, but tighten the narritive and urge my protagonist to find the killer faster, while dealing with her own past.
when I first started writing this again I focused so much on the possibility of having a microbudget, when making an international thriller, instead of scaling it down and increasing the suspence and charachtirizations, Ironicly scaling it down this way makes for a bigger movie, that is cheaper to make.
(a lot could be shot on greenscreen with miniatures as backgrounds) Fewer locations to rent, faster way of shooting... 70% less locations more story!
First I have to start a fresh treatment, I need new secondary charchters
I have a soft spot for TNG not so much deep space nine. (My aunt used to watch mostly TNG when i was a kid) I liked Patrick Stewart's portrayal of Jean luc picard. My Main character is supposed to be, Starbuck by the way of Picard.
What if I reversed star trek, and BSG, and elements of the thing (without the creatures) and set it on a US
Navy salvage fleet, and an Polar research station? That way not only would that limit the number of sets & locations, but tighten the narritive and urge my protagonist to find the killer faster, while dealing with her own past.
when I first started writing this again I focused so much on the possibility of having a microbudget, when making an international thriller, instead of scaling it down and increasing the suspence and charachtirizations, Ironicly scaling it down this way makes for a bigger movie, that is cheaper to make.
(a lot could be shot on greenscreen with miniatures as backgrounds) Fewer locations to rent, faster way of shooting... 70% less locations more story!
First I have to start a fresh treatment, I need new secondary charchters