I am looking at my video files from my new short right now, and there is heavy moire and color banding. Any plug-ins or programs that can get rid of moire and color banding?
I am looking at my video files from my new short right now, and there is heavy moire and color banding.
Lighting the background to prevent large areas of the same colour will help hide the banding.
It would really be great if more camera and camcorder manufacturers would allow consumers to switch back and forth between compressed and uncompressed images, much like we can chose resolution.
I understand the files will blossom into computer bogging monster files, but I'd like the option.
Defeating Moire on the Canon EOS 600D/T3i
http://www.youtube.com/watch?v=AixwZupTyeA
I am looking at my video files from my new short right now, and there is heavy moire and color banding. Any plug-ins or programs that can get rid of moire and color banding?
Like others have said, the best thing is to avoid the problem. The following are some things that sometimes help.
The most common "fix" is roto the area and blur it a little. Sometimes a noise reduction filter can reduce the moire and banding.
For some footage you may want to try working in a higher bit depth such as 16 0r 32. Sometimes the footage may be fine, but you are working in a lesser color space and that could be causing some banding. If that is the case work in the proper color space.
You may need to add some noise or grain to break up banding when rendering out the video, depending on the crompression used.
For moire you may also want to check to see if it is only occuring on a single color channel. If so you may be able to just soften that channel.
In AE you would use Channel Blur to blur a individual channels. You might want to use Channel Converter to convert RGB to YUV, use Channel Blur to blur the the U or V, then apply Channel Converter again choosing YUV to RGB. In some instances this will reduce or remove some moire and banding. Sometimes, not always.
You may also try isolating colors in the moire or banding and adjusting them to match a nearby color. That doesn't work very often on its own, but sometimes when combined with bluring or roto it helps a little.
Depending on the pattern, a directional blur may actually give slightly better results than a fast or gausian blur.
The last ditch option, only do this if you are desperate and crazy, is to go an repaint each frame pixel by pixel.