Maybe I just noticed or maybe it's the new rage, but I've seen a lot of actors with dilated pupils in obviously professionally lit productions. Does anybody know how they are pulling this off?
Maybe they're taking advantage of the much better light sensitivity of modern day digital cameras and noise removal filters and just using less light?
Or maybe the effects guys just found a quick and cheap way to do it in post. No idea.
Does anybody know how they are pulling this off?
Drugs?
Frankly, I've been shocked at just how much latituded and low-light performance I've been getting out of my 5D MkII and the CineStyle color profile. I'm doing a test short lit entirely by candlelight and (with the help of NeatVideo) have managed to get very clean video even at ISO 1600.
The pro-level digital cinema cameras are, I'm guessing, even better.