Just My Thoughts At The Moment

I have to believe that this production is the WORST FUCKING THING I've ever worked on in my entire life. I literally hate 90% of the people I'm dealing with. There aren't that many. I also believe they sit around thinking up ways to make my life as difficult as possible. The simplest things are an ordeal.

What really sucks is I have to edit this shit, and I can't stand looking at them. That should work out great.

When I put the press kit together for this piece of shit, I plan on listing all the crap from day one. Reviewers wont review the movie, they'll be talking about the release. Which will probably be better then this thing anyway. :yes:
 
You getting paid? If you are, then it's not all so bad...

Consider it an experience.

No. I'm the one spending the money.

George Zimmerman is having a better experience right now then I'm having.

Well aren't you just a bundle of joy? Don't worry. Posting stuff like this on the internet will never come back to haunt you.

There is pretty much nothing that could happen, that hasn't already. I can't pull the plug. It wouldn't be fair to the few that are actually working their asses off. But, if I wasn't the one pulling it, I might believe in a God. Because Satan has this project firmly in hand.
 
Shoot it all and then write something else. Come back and do post later after you have had a chance to decompress. You maybe able to pull something good out of your edit then.......
 
Last Sunday I met with the two lead actresses at one of their apartments to rehearse. If they know what they're doing, they'll do it better, quicker. Instead of ten takes it'll take 5 before it's good. Of course one of them didn't even bother looking at the script, which she's had since Oct 2011. We went over costuming and I asked the actress to bring a sheet, since the bed didn't have one. We were shooting at this apartment.

I knew ahead of time that one of the actresses had to be done by 6:30pm.

I asked the Producer who works in NYC if he'd stop by the Foundation for the Blind and pick up a cane they were going to lend us. He said he'd do it Monday or Tuesday.

We were set to get a lot done on Thursday.

But, this is Satan's Project.

Tuesday night my Producer e-mails that he was busy and would definitely get it Wednesday. Being the asshole I am, I wrote the old man playing the blindman and asked if he had a cane. Thankfully he did. Because I knew that I was never going to see that blindman's cane. But, that's life.

Wednesday night, I get an e-mail from the actress that had never read her lines, and I was told that she's allergic to cats and can't shoot at that apartment because it has 3 cats. So, I scrambled and got another apartment. The old man scenes would be shot in Brooklyn and the apartment scenes in Forest Hills.

Slowly I know that the 4 scenes we were going to shoot, has now dwindled down to probably 3, given the lost time to drive the 14 or 15 miles (NY during the week).

Me and the DP drive to Brooklyn Thursday morning and get a prime parking space right in front of the apartment we're shooting at. We shoot what we can at the apartment and we go out to the car. Someone had busted the driver's window and stolen the GPS system. So the DP calls the cops, gives them the wrong address. We sit for an hour, and finally he decides not to file a report. But, he manages to get a 2:30 appointment to get the window replaced. It's now about noon.

We drive to Forest Hills where we're shooting next, and we arrive at 1pm. The allergic actress was suppose to arrive about noon. She's not there. Since we have about 25,000 in equipment in the back of the car with no window, I have the actress we brought wait with the car. Since the DP was leaving shortly to get the window fixed, I told her to keep her eyes out for transit cops and feed the meter if one comes. I give her quarters. I brought everything up to the apartment. While I'm still inside, the actress and DP show up at the door on the 6th floor. I go down to feed the meter and of course there's a ticket. Thank you very much.

Next I call the allergic actress who tells me she's running late (she's already an hour late). But, needs to stop off at a store and buy clothes because she doesn't have any of the outfits that were needed. We already have the sequential scenes shot with her wearing outfits, and she thinks nothing of the fact that her outfits will magically change. But, if we shoot her way then we can get away with... I don't know, I literally stopped listening.

Thankfully, I know this is Satan's Project. So, I worked out a contigency plan. Which would have worked. But, the window fix, which should have lasted about 2 hours ended up being over 3.

We're now down to shooting one scene. Of course I knew that the actress (the one with the costumes) had no intention of bringing a sheet. So, I brought a blanket and pillow case. Thankfully this scene doesn't require costumes, action and any kind of lighting. It was just the two actresses in bed after having sex. Of course when I signed the one actress she was told there would be two topless scenes. She agreed. Well this was it, and she wouldn't.

After we finished and the DP and I are driving home. We're sitting in stopped traffic in the Holland Tunnel. I start feeling sick. It took over an hour to get home, and I just got in the door, ran to the bathroom and vomited for a good twenty minutes.

Damn I'm looking forward to how things can get fucked up next Thursday.
 
You need to make a BTS documentary of "Satan's Film Project."


What percentage of completion to filming and any ADR + pick ups do you guess you're at?
 
You need to make a BTS documentary of "Satan's Film Project."


What percentage of completion to filming and any ADR + pick ups do you guess you're at?

TOO MUCH. ADR is almost going to be impossible for the actress that is leaving the US after we're done shooting. Pick Ups are going to be few. I'm piecing it together with what I have. If it weren't for the few good ones, I'd have dumped this long ago. My Lead Actor could be making a shitload of money singing in Missouri, but came back to NY just to do this. Thankfully, he's been cast as the lead in an Off-Broadway Production that has a lot of promise to get his name out there. He deserves success. Another actor has been with the production from the first cast, and has helped so much I'm giving him Producer credit. I owe it to them to make the best movie within means.

If I made a documentary on this, my interview would last for hours. I wouldn't have to repeat myself once. The thing that astounds me is, everyone I've hired is excellent, including the people I fired. They are all a truly talented and gifted group. Everyone of them that has seen the rough edits, has loved them. Yet, they try at every turn to sabotage what we're doing. I've worked with musicians and actors for over thirty years, and I've never been part of anything like this. It's Satan at hand.
 
I hate to say this, but it sounds like a "The Making of ..." BTS documentary would be much more entertaining than how you describe your project. I hate to read that you're having all of these problems, maybe it'll get better. If not, you will eventually finish it and can move on.
 
And thats why I refuse to assign anyone of any responsibilities to pick up the wardrobe/props/equipment and rather do it myself.. It adds extra time into preproduction, but Excel and Google Tasks kept me sane lol

Good luck, sounds like it wll be an amazing story to tell as you'll finish your film
 
One of the things people who are shooting a film forget is that actually getting it shot is a triumph! These suckers are notoriously difficult to do even under the best of conditions. I sympathize because I had a shoot that was taken over by Murphy's Law and it is so depressing when it happens.

Keep plugging away. Maybe your actress will work up to her out of the country flight. Maybe you can reschedule the 'cat' lady -- no disrespect, I am terribly allergic to cats though allergy meds will fix that.

Good luck, I hope things begin to work out for you because it sucks when it doesn't. The thing about indie film is that you are at the mercy of those who will work with you and will work their butts off for you.


-- spinner :cool:
 
And thats why I refuse to assign anyone of any responsibilities to pick up the wardrobe/props/equipment and rather do it myself.. It adds extra time into preproduction, but Excel and Google Tasks kept me sane lol

Good luck, sounds like it wll be an amazing story to tell as you'll finish your film

I do, do everything. I learned very early in life never rely on anyone. But, the clothes are their own (supposedly). There's only two things on the set I don't do, set up the camera, and place the lights. But, I do adjust the lights to how the DP wants them. Some of the time, I'm holding the boom in one hand, have the sound recorder in the other, I watch the monitor and turn on both the recorder and camera. Given this setting, there's no reason why the footage should be good. But, it is. For what it is.

I'm curious -- how much are you paying your actors?

I'd say this could be part of the problem. Because I'm not paying them up front. It's a points deal. But, a friend gave one of these actors a paying job, and they're fucking him also.

The problem is me. I'm nice to everyone. I don't stand up for myself. If I ask someone to do something and they don't, I just shrug it off (write about it here). I treat these people like friends and not employees. I've hung out and got drunk with pretty much all of them. Their absolute lack of respect for me is astounding. You would think the only person not directing this was me. I've been questioned, second guessed, asked why I want to do something every step of the way. I like to explain myself just so I can hear them say "Oh, oh yeah". That happens every time. You would figure after saying "Oh yeah" fifty times they'd just shut up. But, they don't. God knows George doesn't have a clue.

One of my favorites, and it's a very little one. But, it's so stupid that I can't forget it. What makes it worse, it came from someone really intelligent. When you're shooting a full day, you can get a hundred or so takes. So, in the beginning, I wouldn't really slate or do anything. I just knew what sound went with what video. I can't explain it, but I just do. I don't use the usual clap or slate to sync up. I use a voice. One day I decided to be safe, I started saying "Take one, sound one and rolling." We're shooting an actress walking down the hall. I didn't need sound. So, I said "Take 40, no sound and action." While the take is rolling, an actor turns to me and says "If you're not recording sound why are you saying anything?" My response should have been "You think you can ask that after the take?" Instead I said "Well the camera records sound, and now I know that there's no external sound file that goes with it." "Oh, oh yeah".

I've had people not in the scene on the set talking while the camera is rolling. You can hear texts going through. God forbid they turn cell phones off. I've been giving notes while the actors look at the net on their blackberries. My lead actress will talk to her iphone and no one on the set.

This Thursday we had an experienced actor doing his scenes. He's old, tells lots and lots of stories. He never really seems to be there with you. He's thinking of what story he's going to tell you next. When I'd say "Cut" he's immediately back to his youth. I'm walking him down the block and he said something to me, that I won't repeat. Because it was really, really bad and for just that moment he was serious. But, it was so straight on the nose and observant it made my head spin.

Spinner, I'm plugging. There's quite a few I'd really like to plug.:)
 
Seems like this is where a couple of good key crew would come in handy. A good 1st AD and a good Producer, and it sounds like you would have not even half of the problems you are having. At the very least, they can be the nasty one that then allows you to be the nice one.
Plus, having a couple seperate roles makes it somewhat more 'serious'. As much as I empathise with you, a Director would not normally be holding the boom and recording sound and slating/not slating/half-producing/organising etc etc. - you're essentially performing every job which is something you hardly even see on student productions... That's quite possibly why they're not taking you or the production seriously.

As well, you need to have someone who is assertive and can assert some authority. It doesn't necessarily have to be you. You don't have to be a 'tantrum-thrower' of a Director. It can be your Producer, or your 1st AD. But someone has to let people know that certain things aren't acceptable. You may not be paying your actors, but turning up that late is unacceptable. And if it's your Producer that's not doing things, you then need to step up and tell them that it is unacceptable. Or, get someone new.

Don't get me wrong, I'm not unsympathetic, but it's never going to get better if instead of asking for people to pay attention, or to shut up while we're recording, or to shut up and go do what I asked, or to make sure they're on time tomorrow, you just bottle it all up to vent on here that night..
 
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