At the end of last year I shot this corporate video. We started at 4 pm and were done 3am. We shot at night for 2 reasons: during the day the location is in use and we wanted to have total control over the light without sunlight moving around thought windows. The latter was important, because the company already had a visual style for their photography that is (pretty close to) HDR with lots of shadows and highlights.
For the video we tried to get that same style (without completely copying it (for practicle reasons)). This is not only important to have this unified brand image (it would be silly to have a very clean light video while the pictures are far more dramaticly lit), but also because I had to use some of those pictures.
Anyway, this is the result
https://www.youtube.com/watch?v=Ix2qv6pybsE
I also brought my 60D to shoot a timelapse of the shoot.
During the part where we recorded audio I didn't, to be sure the audio would stay clean.
https://www.youtube.com/watch?v=n17pyWu9x1s
For the gearheads and the curious:
shot on C100 mk2 with Atomos Ninja 2, using L glass (16-35mm 2.8, 24-70mm 2.8 and 100mm macro)
For 1 shot I use a MoVI M5.
For other the other movingshots we used a Cinevate Atlas track.
Lights: 2 Jokerbugs, 3 kinoflos, a few Arri spots, 1 LEDzilla, 2x Litepanel miniplus
For the video we tried to get that same style (without completely copying it (for practicle reasons)). This is not only important to have this unified brand image (it would be silly to have a very clean light video while the pictures are far more dramaticly lit), but also because I had to use some of those pictures.
Anyway, this is the result
https://www.youtube.com/watch?v=Ix2qv6pybsE
I also brought my 60D to shoot a timelapse of the shoot.
During the part where we recorded audio I didn't, to be sure the audio would stay clean.
https://www.youtube.com/watch?v=n17pyWu9x1s
For the gearheads and the curious:
shot on C100 mk2 with Atomos Ninja 2, using L glass (16-35mm 2.8, 24-70mm 2.8 and 100mm macro)
For 1 shot I use a MoVI M5.
For other the other movingshots we used a Cinevate Atlas track.
Lights: 2 Jokerbugs, 3 kinoflos, a few Arri spots, 1 LEDzilla, 2x Litepanel miniplus