Okay thanks. I understand more what you mean now. I started color grading and was surprised at the results though. I almost got the skin color somewhat back, accept for the fact that their is too much noise. I thought about denoising it.
I saw some of COPS, where one of the spin offs of COPS, and I noticed that when the cops are being followed around by the crew, they have a really bright light following them around that can light up a mastershot of four people or more at night on the street.
The light also does not look that obvious and might be able to dominate, the regular street lights, since it seems to on that show. As long as you don't make it obvious that their is a guy with a light following with the characters and moving it. But that show seems to do it like that in parts. What ever light they are using, also does not have be powered by a loud generator since they are able to record live dialogue for the show.
Is this do-able on a microbudget? As long as a crew member is carrying a light, their may not be any legal trouble as well, since there are no stands, and everything is being carried.
Another question I have is, is the reason why DPs nowadays are using daylight balanced lights, compared to tungsten? Is it because their is less noise, cause the blue channel is not as heavy? Not just for night but in general shoots, they are using daylight balanced lights.