This is why it is a serious struggle for Indies IMO.. Im dealing with some of that on my current set, I am shooting a scene that requires some individuals and they are not really "extras", they will have some lines, many actors do not want to do a no-budget project w/o getting lines and cred for the work.
You & I as filmmakers gotta work thru that ....
I understand the issues of the people in minor roles, they want a chance to prove themselves and we need bodies. Heck being a body can get you a credit, but we all want what is best for ourselves on both sides of the camera...
Networking, networking, networking and you gotta make those connections and sell them on the project to make it happen is what I'm learning.
Finding people that you can make cherished relationships in this thing called filmmaking is key to success, if you have someone who you have great working relationship with makes it easier to call and ask a favor in the future. I also see that as the person making the film, I have to deliver on quality to make it worthwhile for the talent.
I remember over the years watching the hollywood set on TV talk about working with others, one of the most important things they said about another in the biz is how well they work with others...true in all endeavors, but more so in the entertainment biz. You gotta make them feel wanted, needed and that they will be working on an important and promising project. there is a large talent pool willing to give if they feel that they will get recognition, respect and something for their reel
.