Richy, if you check out my dp reel on youtube (just search Patrick Wells dp reel on youtube) you'll see that, the film isn't actually normally that dark. I don't know why, but vimeo just makes everything about a stop or half stop (to speak in film lens terms, ha) darker for some random reason. Maybe because I uploaded in mp4? But the original mp4 file is slightly brighter.
I thought of reuploading it and compensating, but I already sent the link out to a few prospective employers before I realized just how dark it got on vimeo.
The original film is still dark, just not quite as so or with as crushed of blacks. There's more detail there in the shadows than what vimeo shows.
Thank you so much for watching and for the positive comments! Also, I normally prefer the 2.35 aspect ratio, or widescreen in general, and have shot almost everything else I've shot in 1.85. BUT, I felt the 4:3 classic aspect ratio fit this film more. I like how it feels more claustrophobic and more classic in that respect. Also, I TOTALLY agree with you about that end confrontation being too understated (and too quick, blink and it's over). In the script, it was meant to take place outside the club, and she actually threw him on the ground and started kicking him in the jaw and the bouncer actually pulls her off of him and back inside. BUT, it was the end of the shoot, and weather prevented us from being outside, and we were all fatigued, and most of all, I ended up not getting the actor I wanted for Charlie and instead ended up getting a non actor who didn't have the range and was very rigid. So that scene really really suffered, and it kills me. I even tried to reschedule to reshoot all the Charlie stuff with the original actor I had in mind, but Vicki was no longer available. Oh well though, it is what it is.
Thank you so much again!