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that is one informative and good answer dude

why would anyone want to put a smoke machine in a night club thats my question?

copyright your final draft of the script

maybe set it up so that at the beginning we see the guy going into the first store and saying " can i speak to the manager" and then the clerk responding either way. Then in production film him asking again and again. In post cut it so that it is not always him asking , maybe we could see for...

I think this is interesting. My idea would be to take the leading character and lead the story in the direction that he is writing in this journal about his girlfriend disappearing and through this diary entries we begin to learn about the girlfriend and who she was and what she did. Then...

sweet, that is pretty fantastic. :)

That is good advice about putting the butterfly over the cast. I had never thought of doing that before but will defenitely keep it in mind if anything comes up where ill run into that type of trouble.

1. How exactly does one go about lighting outside during the day. How do the different lights mix, will the tungsten lights show up odd when natural light is filling the rest of the picture. Do I white balance when all lights are on? * When lighting outside during the day try to use as little...

you could always use an alley way that has a street lamp near it and then bounce and reflect.

Hi I would suggest candles , perhaps you could incorporate that into your film. You could also choose to use low lighting and place it symmetrically at each side of the room and use mirrors with maybe orange gels and even diffuse them.