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ALright, thanks guys. I'll think about it.

Thanks for your thoughts. I'll think about how to rewrite it. I feel like including the connection to something in the past (local tragedy) gives it more depth so I'd love to keep it in somehow.

So would you suggest leaving out the middle part about the local tragedy?

Would this logline spark your interest? Investigating a gruesome murder in the idyllic Rocky Mountains, mysteriously connected to a local tragedy 30 years ago, makes an aging Detective question his concept of justice. Personally, I would love to write more, but I guess keeping it short is the...

Thanks for all your answers. Personally, I think it's aöright to drift a bit away form writing only what you can really see, as long as potential readers understand and can picture what you mean.

For example, I don't want actors to turn it down because it's too far off from what they expect from reading a script. But again, I don't plan from writing wild stuff that leaves people wondering what the hell they're reading.

I will shoot the script myself, but it also has to go out to a second director, actors and investors. So I treat it like a script for sale. In the example video, all scripts weren't shot by their writers, als they are very far from the rule in parts.

Thanks for your thoughts. I'll try to find a good balance while writing. I'm in a very early stage, 20 pages so far. I'm sure there will be more questions popping up.

Hi everyone, I'm writing a script for s series pilot at the moment, and I'm wondering how "colourful" I should really write in the script. I know that the general rule is to "write only what you see on screen", but I tend to think that it should be "write what the reader can imagine". In a lot...

I'm a Video Editor for more than 10 years now and at the moment I'm writing my first script for a series pilot. Of course, a lot of questions are popping up during the process, and that's what brought me here to this forum. I appreciate every help I can get.