Search results

do you have the plastic loop former and are you threating it correctly? it is totally enough to cut the head of the tape to a triangle top and slightly push it into the transport wheel... push the shutter button and see if it forms a correct loop. make sure to clean the gate with a brush.

i see what you are trying to do here... and yeah you are right, it very much depends on how someone use available light fixtures and blah blah blah. techspecs have nothing todo with personal skill, i think we covered that a milion times.

I thought there was an exclusive deal with Kodak in 2013 of certain studios buying further film stock?

Just saying... research once, save twice edit: yeah I know he did read reviews... but a direct product comparison is more the way to go... if you ask me.

Check it out ^^ http://snapsort.com/compare/Canon_EOS_60D-vs-Nikon-D3200 Especially check out the differences in: Noise Dynamic Range Image Quality EDIT: Sensor size too (basically everything that really matters) Could have saved $500

fantastic image quality? poor noise performance red channel slightly oversaturated images poor bitrate i think switching from t3i to a nikon d5200 was the best thing i ever did

I love how everyone goes: "You need a t3i!" As if the T3i is such a great dslr.

in fact Hollywood doesn't even read scripts from some random writer. Almost every studio writes on their website: "Please do not mail us any scripts." :P

wow, low noise guarantee, like it. what did you pay if i may ask?

I would certainly not shoot in higher ISO if I have access to prober lighting equipment. post production does not improve the dynamic range of an already shot scene... from what I have experienced. I am confused when u write about shutter speed... I thought u are shooting video in digital? or...

the camera is $81k according to http://www.abelcine.com/store/Classic-ARRI-ALEXA-Starter-Kit/ the beam splitter rig is $45k according to ebay.com and i was seriously just kidding... because the topic starter wrote "decent price", which didnt tell me too much about his/her actual budget.

haha... yeah bm cinema camera is quite present for its price compared to the quality. i would take that over any available camcorder at any given time. But honestly arri alexa can shoot in a much higher resolution and framerate... so comparing it like that, is certainly not that easy :p

i could not aggree on the statement about Steve Jobs destroyed the music industry. Do I really need to buy a whole CD/Album just because i like one song? And 20Cents is absurd... I don't know about others but on my iPad there is no song under 75Cents available. However i totally aggree with him...

I can feel a new fine collecting law coming up.

2x Arri Alexa and a beam-splitter rig.... ...you cant go wrong with that. what exactly do you mean by "decent"? haha

buckingham palace... ...because of great film footage oppotunities. other than that, canada it would always be

nikon d5300... it is probably the only one on the market. ...the d5200 is capable of 60fps too, but it is interlaced... ..well progressive is more on the money than interlaced, but i thought i might throw that in there. edit: and yes both @1080p

sam is right. why dont you go and get an atomos ninja 2 clean hdmi recorder, saves you from screwing around.

Love stories are a must... and depending on what genre you are shooting the more or the less cheesy it has to be. In a horror it can be a light romance between two characters and in a drama it can be more intense. Love stories help binding the audience... also makes it easier to get involved...

"The Thing" is just untouched ever since "The Blob" is a well made movie too. But yeah ALIENS, James Cameron must have been on Drugs throughout the entire 80's, no other explaination... OR he was and is simply born to direct :) Edit: Actually I have to add one more thing to "The Thing (by John...