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  1. M

    Lighting question - bounce source and light ratio

    Hello, I'm lighting an approx. 20ft by 20ft area for a Medium-Wide shot in a large studio, soft high-key lit. Looking at bouncing an M18 on a 20x20ft Muslin (or Ultrabounce?) frame, full front slight overhead - to add as fill/general ambient sunlight. And then using a 1.2k Arrisun (or 1.2k...
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    Subliminal Messages and Themes in Stories.

    After reading and watching analyses on The Shinning, Blade Runner and other classic films.. I started wondering if a movie/story should always be based on themes and messages. How common is it for films to just make a story just out of imagination with no theme in mind or story structure? Can it...
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    Premiere CS6 crashing after XML import.

    Hi Guys, I've been having trouble with Adobe Premiere Pro CS6 (Trial Version) crashing, with no specific debug error message, after importing an XML (any version) file from FCP 7. I reinstalled Premiere, exported/imported the XML with different settings... It seems that my specific master...
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    Sense of Depth on Cropped Sensors.

    Thank you all for your replies, learning a lot here. :) Considering your different suggestions. I was unaware that S35mm was close to APS-C (I should've looked it up) and I see that frames around S16mm and S35mm shouldn't be a problem, I'm still on stepping up on my learning curve. Thanks...
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    Sense of Depth on Cropped Sensors.

    I feel that small sensors, or cropped sensors, lose a sense of depth that you get with a 35mm or S35mm frame size. Whilst cropping in, the distortion on the lens stays the same. A 50mm that becomes an 85mm is going to look very different from an 85mm on a full frame. The sense of depth is...
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