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I can see that there are 2 distinct layers with both composers and producers (I'll use the term "producers" here as anyone who makes films). You've got those who make music (or films) as a hobby, and those who want to make a living out of it. And, of course, there are loads of variations in both...

This is a common problem composers face. Generally (and of course there are exceptions) composers liked to get paid for their work - we have bills, along with every one else. In order to get the gigs where you get paid, you need the credits/experience. Which usually means working for free. I...

OK, this isn't a proper reply as such, but.... Stephen, thanks for putting up the thread!! (OK, maybe I will reply properly as well....) I tend to figure that if the production has a budget, then they should allow for music. I tend to think in terms of a percentage, where the actual amount...

It's always a difficult job, balancing getting the credits (and therefore no money) and actually getting paid. And, or course, some directors/producers see people making music for free, and wonder why they can't get the same from others who actually have the experience. Personally, when I do a...

There's been some great discussion going on here - I kinda feel a bit sorry for Matte though, having his thread stolen like this! :P Seroiusly though, there is always a balance between our love and passion for our art, and keeping body and soul together. I personally would love to be in a...

Hi Matte. I have been a composer for the last 7 years, and have been doing it professionally since April 2003. I can write in any style, and can even do foley / voice over's if you need them. How long is your film, and do you know what style(s) you want for it? You can listen to samples of...