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A tie-in with a reputable/known organization would help. Maybe do it as a benefit for them if they are a non-profit (American Red Cross comes to mind - LOL, but not for Toronto, You don't have an ARC Chapter there). Try to find well-known people to get involved. The point is, your first one...

Congrats!!!!!!! There is always the feeling of satisfaction when you complete a project, but it is always that much sweeter when others recognize your work.

And something else I would add, being a bunch of films I have been involved in went the festival circuit: Do something that makes film-makers realize your festival is not a scam, or a get rich scheme for yourself. Many film-makers are wary of "new festivals", because there are many...

I sooooooooo want this.

I too, alas, have a primary job. I am Director of Product Services at a microphone company (which means I sit at a test bench with my soldering iron, headphones and stereo microscope). But have plans to take my film-related biz full time in 6 months.

LOL, look at the next ad under yours, that's what I do. PM me and lets talk. I'll send you my #

What genre is your film? I might be interested in getting involved, if it's action/drama/thriller. (Obviously, something that involves SFX/VFX, stunts, fighting, weapons, etc.)

Welcome to the fold, from another new member here. LOL, and a neighbor, as well.

Oh for the love of God!!!!!!! You stole my monologue!!!!!!! LOL. Just kidding, but that is the one I use. There is so much emotion available in it. Fire, pride, disgust, resolve. Hey Hamlet's speech is good, but everyone knows that one. My second choice is from Merchant of Venice...

You know, you've hit on something that I am passionate about personally. I was an "extra" for a couple years, and I learned so much in acting because of it. No, obviously, I had no lines, but I learned that subtle nuances in body language, a emotional change at the right time, the slightest...

Great Post!!!!!!!! If I may add....... Definitely have the boom op on audio foldback. And walk the set listening for problem areas with the boom. A/C, Florescent lights, rumble, etc. Without that, he/she cannot find the best location to put the mic.

Michael does good work, but a 012 is not a shotgun. Even with a hyper-cardioid capsule on it, it still does not give you enough side cancellation/rejection like you would get with the 50. I would always choose a shotgun over a regular pencil mic, if you are going to be in anything but a highly...

Rats, beat me to it! Welcome from another new member.

The armorer in me is going...."very nice detail on that weapon, a G36?. Same with the actor's loadout. But where's his safety glasses?" Last one I saw was Battle: LA. Absolutely loved it. Visually stunning. Loved the lack of too much steadycam work. Gave it a more personal "I am there"...

Good point, wheatgrinder. Sometimes, that's all it takes. But the more proactive you are, the more stress is relieved the day of the shoot.

LOL! I know exactly what you mean. I used to play PB myself.

Absolutely, it can be done. But you need to be proactive by contacting Law Enforcement well ahead of your shoot dates, see if you would need a permit or maybe having an off-duty officer on your set. But many times, its the aspect of "public view" that will bring the gentlemen with the real...

That's what I was going to say. I would say, get out there and get involved in other people's projects, even if as just a PA. You will start to get the feel for things and you will learn tons of good things, and maybe you might see things you won't want to repeat on your own projects.

I wrote this article for a magazine/website a while back. Thanks.

I am honored to be a part of this great forum, and at the invitation of one of the mods, I am letting Southern Californian Film-Makers (and beyond) know about our services. Allow me to introduce Indie Arms and our website www.indiearms.com. We are a full service Armory Company, catering to the...