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Fantastic sound! I'm in pre-production for a short at the moment and I could use a good composer. I'll send you an email with specifics and see if it fits what you are interested in.

Yes, you could do this in AE. It doesn't have a "blood and gore" effect or anything - you need to create the elements yourself (lots of ways in AE to do this).

Hopefully not illegally! ;) Let us know when you're ready. We have people here with experience using just about any software you can think of and I am sure they can provide a great intro.

1) Absolutely 2) Yes 3) Yes 4) Articles describing common techniques listed by sound type? 1) Usually do all foley myself 2) No 3) Since I do it all, I only make sure to budget the necessary time 4+5) Not sure

You're on the right track. What you will want to do is shoot the shot (I presume it's a close up?) and also shoot some flames against black. You would then use a lumakey to remove the black background and composite the fire over the eyes. Of course, you would have to resize the fire clip...

Well if its any consolation of a strange sort, I won't be seeing the movie at all. =D

You can shoot 24p Normal and edit it in a 60i timeline. Works quite well if you can't work with 24pA and gives the same motion rendering.

No worries! :cheers:

Good sir, you need to clean out some of your PMs so I can respond! Seems you have hit the limit :lol: :yes:

This would be a fairly easy effect to pull off in After Effects. Simply track the eyes and use a bulge/warp/distort type filter.

The rosetta stone eh? What's the movie about if I might ask. Are you using Egyptian?

DJ: Sounds like the FX1 might be the camera for you then. Mr. Goldfish: The DVX100B is still a SD camera. It just adds a few enhancements to the current 100A model. Panasonic plans on selling them for some time still to come so the camera isn't dead quite yet. Panasonic does have a first...

Congrats man! Happy B-day!

Yes you can convert interlaced to 24p. The real difference is image quality IMO. Is HD worth a sacrifice in dynamic range and artifacts? Only you can decide that (which you can really only do by trying each camera out). What one persons considers unacceptable is just fine for another or a...

Yeah, that's my fault. I'm hardly ever sarcastic so when I AM it just doesn't register with most people. I guess I'm too serious for my own good most of the time? Anyway.. :D

Excellent point Will! I just never use it in PPro as I usually have to transfer to AE for work there anyway. Good to know though. I had completely forgotten. It sounds like you're already aware of this but do take this advice seriously! If you want to play with the colors you need source...

I regret I was being a bit sarcastic there directorik which is by far not my norm (I think at least :hmm: ). Guess it's just been a long day. My apologies cjm5130. :blush: I've played with enough explosives in the past to fear them (read "hurt myself" - luckily no permanent damage)! I...

Try the "posterize time" filter and set it to 24. That might give you decent results. Color grading is also very helpful. I don't use the tools in Premiere much as I prefer to use "Color Finess" in AE. For a guide try www.redrockmicro.com. There are other resources on the net which are...

An m80? How much damage do you need to inflict (ie is this a hand gun, shotgun etc)?

I have a DVX. Great little camera. These are the benefits and downsides as I see it: NOTE: I consider progressive scan to be a plus. Some may disagree with that assessment. Interlaced video is slightly better for shooting in dark conditions due to "row pair summation" though. NOTE2: I...