Search results

Yes yes I got it. Forget my last post:lol:. For me composing and recording was always the same thing( in my folly) . That's why I got confused. Now I get it. You can right a song and performers can play it. But the guy who records that performing has the recording right. I always thought...

Also that recording part gets sensitive when there are usually remixes or remakes of certain tracks which is not the case for these tracks. Did I realize the sensitivity of the recording subject right?:lol:

Isn't recording part of the "produced" right?

OK :lol: , you said "sang" in your example. So I thought maybe people should ask for the singer's permission to be able to clear the rights. As I said I'm really green when it comes to copy right law:)

These tracks don't have a singer. But about that recording ( master right ) I guess I have to ask them again.

ok I will email them and clear this out. Thanks for the heads up.

They said that I should use this sentence for the credit : All Writing and production by Simon Posford and Benji Vaughan. Published by Twisted Music Limited UK. Copyright Twisted Records Limited UK Doesn't this cover both sync and publishing rights ? The founder of the publishing company...

Yes, they mentioned this too. If I want to use the film in any commercial way I have to contact them for negotiation. And if anyone wants to use any portion of the film they have to go through me first right? So on both sides I have control here.

Yeah you're right. You never know what can happen. But they do own their publishing rights.

I don't wanna risk loosing these tracks by asking for a paper permit. They may not otherwise grant this permission. I don't want to freak them out by going over strict. I don't think this band's tracks have been used in any movies before. Besides, so far they've let me use their tracks. As long...

I need to learn the editing process, and I'm sure if I want to get the scenes right, I will need to learn many things by trial and error, from the sound to lighting to directing the actors. So that's why I don't think I can pull off what I have in mind by 3 months. I have yet many things to learn.

Soon. Finding a female actor that matches the script description is the part that's taking too long( Given the religious beliefs of most people in Iran, finding an actress who's willing to play this part gets a bit hard). Anyways I don't think the film would be ready for this year's festivals...

That's ok. I already have the screenshot of our email and them giving me permission . If any festival required documents for copy right materials, I will give them this email. It seems the band is happy with an email handshake.

I think the email itself is a handshake agreement. I have the screenshot of my email and theirs. I don't know how I can post the screenshot here. But I specifically asked for certain tracks ( four tracks in total) and I asked for their permission. The owner's partner answered me . And said we'r...

I've emailed my favorite band to ask for their permission to use their tracks in my upcoming short. They've given me permission to use their tracks and they said as long as I give them full credit for the tracks in the credit line that would be ok with them as long as the film is used for...

Well I loved it. for me it was really dreamy. 1:58 - 2:48 is the part I'm referring to.

Are you familiar with the composer Motoi Sakuraba? your score has the same vibe as his musics. Also I'm sorry cameron for posting this in your thread, I just have to know this:)

Wow! Never thought to see this thread popped again. Such a thorough and comprehensible guide! Beautifully detailed. Thanks man!

The score for this one is really beautiful, have u composed it yourself?

:lol::thumbsup: