At one time there were only two places that processed Kodachrome. A lab in Switzerland and Dwayne's in Kansas. The Swiss lab shut down a while ago so Dwayne's is the only place left:
http://www.dwaynesphoto.com/newsite2006/movies-kodachrome.html
Yes, very quiet. I paid $1,200 for the entire outfit with two magazines, battery and charger. On eBay I found an extra set of internal filter holders and a remote cable.
I'm going to be taking this site down since I want to sell the camera. I would really rather have a 35mm Mitchell but for the time being I got enough professional gear as it is with my Rex5, 16mm Mitchell and CP-16. And I don't have the room to maintain a collection as I would rather have...
I once purchased a used mannequin at a flea market. You could buy or rent used ones from this place:
http://www.nwmanikin.com/
In fact you may want to look at their line of flexible foam mannnequins. Scroll down to the bottom of the main page.
One source of manuals for Super 8 cameras was Filmshooting.com. They used to have manuals available for download until their server went down a while back and now they're trying to rebuild. The manuals were contributed by their members so you could ask in their forum if someone has one for...
I traded the Bolex H8-DS8 some time ago when I couldn't get DS8 filmstock anymore. I still have two Bolex H8 regular 8mm cameras. You can still get regular 8mm filmstock including in the newer Ektachrome 100D. I last shot some regular 8mm color at a Japan fest in Houston last year. Used a...
Heh, I started at the real bottom with Regular 8mm. ;)
Eventually going to Super 8mm and then 16mm. My favorite Super 8mm cameras were the Canon 614 and the Elmo 1012S-XL. I also used an Argus Cosina which was a real workhorse of a camera. Right now I got a jewel of a camera in the Elmo...
But not all Super 8mm cameras will expose it properly using the built-in meter. Check out this webpage:
http://super8wiki.com/index.php/Super_8_EKTACHROME_64T_motion_picture_film_exposed_in_old_cameras
If you have a handheld meter and manual exposure control you shouldn't have any problems.
That's what I get on my Dish Network, Channel 13 in HD. Funny thing is when I have the same channel on my satellite and on my regular set in another room there is a delay from one set to the other. The satellite signal is almost half a minute behind.
HD Video is all the rage now and what with broadcast television converting to HD next year there will be a demand for more Super 16 productions. The Bolex I want converted is my Rex5 setup for animation.
No, it's not the same camera. I got mine from an owner in Virginia. And this one is super quiet. It had been serviced before I got it. In fact when I ran it with test film in my living room I had to open the camera door to make sure it was running. I do want to see about having this one...
The cost for converting one to Super 16 would run from $1,000 to $2,000. I know of two places that do them, Visual Products and Whitehouse. You might want to ask then if they know of any CP-16s for sale.