Recent content by _Rok_

We got the cover on Cinefex, and last week won a VES Award for best animated character.

Is your goal to do this professionally, or as a hobby?

I use Maya. Often, I just watch other people use it. Started with 3D Studio v1, SoftImage, and currently Maya.

I love RH's films and also met him on several occasions. I supervised one sequence which was an homage to Ray's legacy, so I appreciate seeing you doing the same. :thumbsup: - Thomas

I'm seeing lots of Ray in your reels. Nice.

Exactly. I wrote my short around the locations thats that I secured (for free). Same goes for VFX.

In the right hands, your desired effect is quite possible. But, I think you might be going about this the wrong way. When working on a limited production budget, you've got to work with the tools you have on hand. When writing locations, it's a good practice to find & secure a location, and...

I did a search and didn't see it here. It's quick, simple, and free. STORYBOARDER

Started a new script today! Finally back to my personal projects. For the past year, I've been quietly working on a TV show; 4 episodes, as VFX Supervisor. I can finally announce it. In this sequence, we created Drogon. Someone else did the digital soldiers: CLICK HERE

I like your work, but in terms of advancing your marketability most previs is generally animated (as opposed still frames). So, you're currently creating something closer to 3D story reels, as opposed to contemporary previsualizations. Here's some food for thought: - Animated previs in line...

Producers deal in absolutes and will want to know how much previs will cost before awarding the contract. There's certainly room to charge overages when the client makes requests beyond the scope of the contract, so you will want to focus closely on the details. It's not uncommon to add...

Your personal projects are a good benchmark. What you need to account for in your bid is: - Operating costs - all of them (be honest with yourself) - Your profit/income - Complexity of the job relative to your previous projects - Client changes (and there will be many) - Your experience/resume...

Well done. The bar fight was effective. I use storyboards, previs, and videomatics all the time. Some folks think it stifles creativity on the set, but I think it gives me additional opportunities that I would never have come up with on-the-day. When bidding work, I do not quote based on the...

Wrapping VFX project soon. Everybody is on high alert.

Welcome!